L'Enragé, No. 4

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This work is a vivid example of how underground publications used graphic satire to critique authoritarianism and political power during the May 1968 protests in France. The cover of L’Enragé No. 4 features a caricature of a military figure merging symbols of fascism and nationalism, rendered in a bold, minimal cartoon style.

 

Its title, which translates to "The Enraged," signals the emotional and political urgency of the period.