Contribution Date
abstraction
Cover of "Nippon" magazine issue
Art & Fear
Wire "154”3
Die steinerne Blume / Bookcover / Germany
Ad for Cinzano
Digitalogue font
Song of the Era of Erotic Feelings
One World One Game poster graphic for Ucal calendar3
Russell Mills: Within/Without Exhibition poster + newspaper review2
Guatamala
1996 Nike Black History Month Poster
London Underground map2
Hawaii Travel Poster
Geigy “Irgapyrine”
Newsweek cover
A Few Green Leaves book cover
An Academic Question book cover
Some Tame Gazelle book cover
I Am Blind Yet I See
The iPod Silhouettes ad
Cinemateca de Cuba programación
Comic panels translation series
Time On Board the QE2
The B-52's
Lillian F. Schwartz website
Julius Eastman music scores2
Lloyd McNeill Jazz Quintet: The New Thing
Roberta Flack: The New Thing
Howard Three Plays
Excellence in Education
Medicine Music4
Friendship is Forever: A Collevtion of Beautiful Thoughts on Friends and Friendship10
Tendancije 4 (Tendencies 4)3
“The Spiritual in art : abstract painting 1890-1985”
MIT Summer Session prospectus cover
Seticon prospectus cover2
Broxi packaging
Geigy prospectus
Geigy ad
Geigy booklet
“In Memory of Dimitar Trendafilov” Exhibition 8
“The Root of Typography and it’s Colours”
The Architectural Forum, June 1970
“From the Gun Controller to the Mandala: The Cybernetic Cinema of John and James Whitney” 2
“John and James Whitney: Audio- Visual Music” 3
“The Vision of John Whitney 1917-1995” 4
“Audivisual Music” 2
“Visual Music: The Search for an Aesthetic” 2
“Letters: On Music’s Changing Relation to Visual Art” 3
“Fifty Years of Composing Computer Music and Graphics: How Time’s New Solid-State Tractability Has Changed Audio-Visual Perspectives” 3
“Abstract Film Explorations” 2
“Photoprint”
Presbyterian Church logo/identity4
“Train Landscape”
“Silence”
Survey Graphic, Nov 1942; “Color: Unfinished Business of Democracy. Negroes, U. S. A., The New World, The Old World”
Survey Graphic, May 1924; “Mexico: A Promise”
“Cover Artist”- Paul Hartley2
Survey Graphic, January 1947; “Segregation”2
